Florian Conradi and Michelle Christensen are a design and research collective based in Berlin. Combining their backgrounds in political-, conflict-, gender-sociology and design in the form of practice, writing and teaching, they attempt to formulate the spaces in between these realms. Their work is an endeavour in to exploring the politics of objects, material-sociology, and practice-based theory.
They work on project base with institutions from the fields of social/political advocacy, critical media, design and academia.
Michelle Christensen – Michelle studied political sociology at Roskilde University (BA), conflict studies at Utrecht University (MA), gender studies at the University of Amsterdam (MSc), and integrated design at the Köln International School of Design in Cologne (MA). She has worked at the Crisis Department of Amnesty International USA and at Amnesty Denmark, was a Humanity in Action Fellow in Copenhagen and Amsterdam, and a Congressional Fellow in the United States Congress in Washington DC. She has given courses and workshops in conflict analysis, gender studies, design and research methods at universities in the Netherlands and Germany.
Currently, she is writing her doctoral thesis at the Berlin University of the Arts, where she also teaches design methods. Since 2014 she is a board member of the German Society for Design Theory and Research (DGTF), and since 2015 she is a member of the Board of International Research in Design (BIRD) at Birkhäuser.
Florian Conradi – Florian studied communication design at the University of Applied Sciences Mainz (Diplom FH), within the scope of this degree he studied at the Art Department of the Bezalel Academy of Art and Design in Jerusalem. Subsequently, he worked as a designer and academic assistant in Mainz. He went on to complete an MFA in Design at the Sandberg Institute (Rietveld Academy) in Amsterdam, and an MA in integrated design at the Köln International School of Design in Cologne. Since 2008 he has been initiating sociopolitical design projects with cultural institutions in the field of critical media and political advocacy, carrying out field research in Europe, as well as in Israel, Palestine and northern Uganda.
He has taught critical approaches to design and design methods at the FH Mainz, the Köln International School of Design, and the UdK Berlin. Currently he is an affiliated researcher and doctoral candidate at the Berlin University of the Arts.
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Conradi / Christensen
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When Objects turn Subjects: Forms of Protest – A practice-based exploration in to the politics of 'things' in the socio-materiality of everyday life, as systems and artifacts move far beyond...
what can be understood based on the object-subject divide. The project investigates and practices alternative conceptions of authorship and social power-plays in human-artefact relationships / Currently being carried out in the framework of a PhD at the Berlin University of the Arts (2012- ).
that lead to spaces which not us, nor the system, can foresee. The explorative methods evolved unanticipated observations in urban spaces, from black holes and cultural voids, to social thresholds and gendered spaces. Known spaces were perceived anew as alternate sites, as strange serendipitous social encounters unfolded / For the project ‘Community Now? Conflict, Interventions, New Publics’, a collaboration between the Design Research Lab Berlin, the Bezalel Academy for Art and Design Jerusalem and the German Society for Design Theory and Research (2013-2015).
establishing unintentional multiplicity in content. Adding the option of ‘Irregular’ to the traditional options of ‘Regular’, ‘Bold’ etc. in a number of the most used fonts enables a slightly uncomfortable diversity in usually very secure typographies, and hence, the content that they hold. And the ‘In/correct’ file autocorrects a library of words whilst typing distorting gendered-meaning in the process of its construction / Developed in the context of the International Gender Design Network (iGDN), exhibited at the Hong Kong Polytechnic University, DesignExport Hamburg, and the Designtransfer in Berlin (2014).
in Germany. Through analogue-digital formats, citizens were encouraged to share their visions and critics of the digitalisation of politics, and of their everyday lives / For the Social Democratic Party of Germany (2014).
of existing knowledge and information on the Internet. The plug-in generates an unpredicted non-linear and dynamic storyline through browsing, allowing space for unanticipated thoughts and connections. It intervenes by beseeching the users attention through the infiltration of their usual browsing behaviour / Developed for Firefox, Safari and Chrome, funded by the Dutch Mediafonds. Presented at ‘Media Squares, on New Forms of Protests and their Media’ at De Balie, Amsterdam, and featured by amongst others turbulence.org blog 'networked performance', and tacticalmediafiles.net (2010-2011).
Écriture féminine in to dresses etc. – and then in turn theorising these objects to reveal a series of 'Thinking Things’. The project explored this praxis-theory relationship from an ad-hoc perspective, arguing that objects, rather than being an objective inanimate species, or simply the projections or extensions of their human counterpart, emerge with arguments of their own / KISD Cologne, exhibited at the Dutch Design Week and the Passagen Interior Design Week in the exhibition ‘To Object the Objectivity of an Object’ (2010-2011).
how do we read an urban space, and when do surfaces interact to take on arguments of their own. The project resulted in what was termed the 'terminology' of the district – the basic elements that form the visual vocabulary of the space. The 'grammar' of the district – the interaction of terminology within certain rules of formulation. And the 'arguments' of the district – namely that within a semantically loaded space, the actors (objects, communication, buildings) transcend intentionality, merging and clashing as they take on unintended meaning / DQE Academy, Design Quartier Ehrenfeld, Cologne (2011-2012).
and words only appearing in certain light, to messages that can only be read when subduing oneself by bowing down to the poster itself – the project investigated the question of ‘what lies just prior to the specific’, and how the receiver can awarely partake in the making-of-meaning / The project ‘Pre-Specifics: Access X’ was conducted by Onomatopee, resulting in a publication and exhibitions at Röda Sten in Gothenburg and the Dutch Design Week in Eindhoven (2010).
were carried out in collaboration with Istanbul-based designer Ogul Oz – from ‘auditive typography’ and ‘visual noise’, to re-gendering music tracks and dissecting the rhetoric of the pop-stars of politics / Funded by the Design Quartier Ehrenfeld, exhibited at the PDF Festival for Urban Culture in Cologne (2009).
negotiating such an identity, and claiming its legitimacy. Emerging from this social experiment was a charter, which could be re/read from a perhaps infinite diverse perspectives, as well as a dissolving book that sought to instigate an alternative discourse on the integration debate in Western Europe / Funded by and shown at the Nieuwe Vide Art Space in Haarlem, the Netherlands (2009).
performed, depicting the clash between on the one side national and on the other side gender/sexual identities of homosexual women in the Israeli Defense Forces / Graduate School of Social Sciences (GSSS), University of Amsterdam (2008).
who makes the decision to send troops to war? Who pays for it? And who actually fights as a soldier on the ground? / Sandberg Institute (Rietveld Academy), exhibited amongst other places at the Netherlands Institute for Media Art (NIMk) and the exhibition ‘Design.Politicized.’ at the DQE in Cologne (2008).
about how to un/make the film with the audience, resulting in an uncensored and personal take on the ethics of editing / Field research carried out in 2007, funded by Oxfam Novib, and presented amongst other places at the University of Amsterdam, Amnesty International, the Netherlands Institute for Media Art (NIMk) and the Lloyd Cultural Embassy in Amsterdam (2007-2008).
in newspapers based on articles about the conflict in Iraq from the German Newspaper ‘Die Welt’. The work questions elements such as the relevance of the individual in war, the lack of importance that numbers of casualties come to have, and how conflicts easily become converted into technical aspects of military tactic and strategy. On the one side factual, and simultaneously an interpretive provocation, the newspaper operates critically between the fact and fiction of portrayals of conflicts in the media / Carried out in the context of giving a course at the University of Applied Sciences Mainz (2006); contributions from Sun Mee Martin, Andrea Bayer and Mark Brehm; published in input/output and shown at exhibitions in the Netherlands, Germany, Spain and Japan.
Co-edited book ‘Design as Research: Positions, Arguments, Perspectives ’, with Joost, Bredies, Unteidig. Birkhäuser, Basel
Methods seminar 'Borderline Objects', Berlin University of the Arts
Co-Hosting Conference ‘Reassembling Relationships: People, Systems, Things’, DGTF, University of Applied Sciences Potsdam
Methods seminar ‘Design and Conflict’, Berlin University of the Arts
Exhibition of ‘Confused, Irregular and Incorrect’, through the international Gender Design Network (iGDN), Hannover University of Applied Sciences
Colloquium ‘Science-Fact / Science-Fiction’, Design Research Lab, UdK Berlin
Exhibition + Panel Discussion ‘Rethink. Gender, Design & Media’, Designtransfer
Presentation ‘When Objects turn Subjects: Forms of Protest’, Postgraduales Forum (PGF), UdK Berlin
Talk ‘Re-Think, Re-See, Re-Assemble: Intentional Uncertainty in Design Research’, Bezalel Academy of Art and Design, Tel-Aviv
Workshop ‘Mapping Matter/s’, Bezalel Academy of Art and Design, Tel-Aviv Extension
Exhibition of ‘Confused, Irregular and Incorrect’ through the iGDN, DesignExport Hamburg
Methods seminar ‘The Politics of Objects’, Berlin University of the Arts
Workshop ‘De/Stabilization’ at symposium ‘Community Now? The Politics of Participatory Design‘, Jewish Museum Berlin, UdK Berlin
Colloquium ‘Transgression, Transformers, Transnormal’, Design Research Lab, UdK Berlin
Panel Discussion International Gender Design Network Conference, Köln International School of Design
Presentation ’Uncertainty as a Resource in Design Research’, Unconference Design Research, German Society for Design Theory and Research, Konstanz University of Applied Sciences
Exhibition of ‘Confused, Irregular and Incorrect’ through the iGDN, School of Design, The Hong Kong Polytechnic University
Colloquium ‘Camp vs. City: Perspectives on Provisional Urbanity’. Design Research Lab, UdK Berlin
Research Tool + Application ‘De-Routing App.’ developed with the Design Research Lab, UdK Berlin
Workshop ‘De-Routing: A Serendipitous Approach to Discovery’, Berlin University of the Arts
Colloquium ‘On Ambiguity in Design: Inherent Paradoxes and Intentional Uncertainty’ Design Research Lab, UdK Berlin
Research Presentation ‘When Objects turn Subjects: Forms of Protest’. Design Promoviert, Lucerne University of Applied Sciences
Co-moderating working groups ‘Distinctive Features of Design Research’ and ‘Translations’ at DFG Roundtable, Berlin University of the Arts
Colloquium ’Who May Speak, and with Whose Words?’ Design Research Lab, UdK Berlin
‘Theorizing Design and Designing Theory’ published in ‘Masterclass: Product Design’, Frame Publishers, Amsterdam
‘Semiotic Supermarket - Mapping the Grammatology of a District’ published in ‘DQE Reader’, Design Quartier Ehrenfeld, Cologne
– 12/2011 - 03/2012
Course ‘Acting Accomplices’ Identity as Non-Identity, Köln International School of Design
– 10/2011 - 02/2012
Assistant Lecturers Long-Term Project with the German Academy for Language and Literature, Köln International School of Design
Presentation ‘Stateless Plug-in’at ‘Media Squares, on New Forms of Protests and their Media’, De Balie, Amsterdam
Exhibition ‘Farming Pixels - Analogue Resistance to Digital Power’, PDF Festival on Design and Urbanism, Cologne
Lecture ‘Semiotic Supermarket: Mapping the Grammatology of a District’. Design Quartier Ehrenfeld, Cologne
Course ‘A State of ____’. Designing Individual Political Imaginaries in Collective Discourse. Köln International School of Design
‘A Well-Founded Cross-Disciplinary Approach’ published in ‘Carrierekrant Sociologie’, University of Amsterdam College of Social Sciences, Amsterdam
Exhibition ‘To Object the Objectivity of an Object’, Passagen, Cologne Interior Design Week
– 02/2010 – 06/2011
Course ‘In the Style of’, Köln International School of Design (with Michael Erlhoff)
Exhibition of ‘The Interpretive: Recycling Knowledge’, Drap-Art, Barcelona
‘This is a Text’ published in ‘Pre-Specifics: Access X’, Onomatopee, Eindhoven
Exhibition ‘Pre-Specifics: Access X’, Second Project Phase, Dutch Design Week, Onomatopee, Eindhoven
Exhibition ‘Pre-Specifics: Access X’, First Project Phase, Onomatopee, Röda Sten, Gothenburg
Exhibition ‘Politics of Sound’, PDF Festival on Design, Music and Popular Culture, Cologne
Exhibition ‘Design. Politicized.’, Passagen, Cologne Interior Design Week
Exhibition + Intervention ‘Embassy of Hybrid Cultural Identity’, Nieuwe Vide Artspace, Haarlem
Presentation ‘NIMk Distributed’, Netherlands Media Art Institute (NIMk), Amsterdam
Intervention ‘Monumentalizing Monumentalism’, Nieuwe Vide Artspace, Haarlem
Exhibition at ‘We Love Magazine Library’, Tokyo
Lecture ‘Lesbian Soldiers in the Israeli Defence Forces’, International School of Social Sciences, University of Amsterdam
Presentation ‘This is not the Problem of the Audience’, Lloyd Cultural Embassy, Amsterdam
Presentation ‘A State for the Stateless’, Stifo@Sandberg Conference, De Balie, Amsterdam
Lecture ‘Masculinity and Heteronormativity in the Army’, International School of Social Sciences, University of Amsterdam
Course ‘The Analysis of Contemporary Conflict’, Centre for Conflict Studies, Utrecht University
Published in ‘Masters of the Rietveld, Dutch Design Education in the 21st Century’. All Media, Amsterdam